Poetry is exciting, but elusive to most. This is troublesome for Christians because the Bible, John Poch reminds us, is largely composed of poetical verse. In God’s Poems, Poch re-introduces sacred text as purposefully poetic, and explains what that means and invites the reader to with this insight live more thoughtfully and beautifully. 

But that is not all. Poch as a well-established and regarded poet, turns his eye to contemporary poetry and vindicates its function in a “created and creative world.” Today many have abandoned the genre as a wasteland of misguided voice that really has nothing to say. The poet is a truth-teller, and Poch as devoted writer, teacher, and believer sends out a renewed call to turn to verse as a means of seeing oneself as God’s poeima, or poem (Letter to Ephesians). The depth of self-knowing relates directly to an aptitude to engage the category of poetry at some level. A tragic void is filled with Poch’s effort to exhort the reader to patiently reconnect with poetry even though it has been hijacked by persons who want to be heard more than speak well. (This book is essential, therefore, for aspiring poets.)

For faithful readers or those seeking to return, Poch is a place to begin to understand contemporary writers worth knowing and which poets of the past must remain with us. In Virgilian fashion, he can see the panorama behind him and that which lies immediately ahead and instills a recovered love of an eternal medium that will be restored to a state of coherency and enlightened perspective. If Poch has faith in poetry it is because poetry is indeed a source of faith. If Justin Martyr claimed that everything that is true belongs to Christians, Poch shows us that everyone who speaks truth is to some degree a poet. Even God with his revealed wisdom chooses poetry as medium par excellence. It is essential to know how poetry works. “Great poems that we consider literature give us what we never expected. They go beyond the usefulness of conveying a feeling and unveiling beauty; and they tell us who we are.” 

The muse of Pietro Federico’s most recent collection of poems, La Maggioranza delle Stelle (Most of the Stars), is the United States of America, her people and landscapes. In fifty poems (one for each state), Federico plumbs the depths of the historic, geographic, political, emotional, psychological, and metaphysical realms through a variety of voices of these fifty states. Translated from Italian into English by the author with American poet John Poch, this book is unlike any other collection of poems. Federico is fascinated by the American spirit, to use the words of Giancarlo Pontiggia, "an America made up of stories as raw, rough, endless and inconclusive as the immense landscapes in which they took place." 
 
In Most of the Stars the linguistic power of the Italian literary tradition and the contemporary vernacular combine to articulate an idiosyncratic understanding of the New World—the breadth of its cities, its towns, its frontiers and interiors. Federico’s deeply spiritual understanding of our own American personalities and histories offers us a gift of beautiful objectivity. Students of poetry, linguistics, and cultural anthropology will be grateful to Federico and Poch for the wonder offered in this bilingual collection.